INCIDENTAL COMICS: The Haunted Orchestra

INCIDENTAL COMICS: The Haunted Orchestra

http://bb.appdev.ca/ruiODhkLCB.html

Magic Formula for Conditional Formatting of Rows

Good information about formatting excel stuff can be found at the Contextures website.

Multiple Rows
=MOD(ROW()-3,5*2)+1<=5 Shade Alternating Rows

You can use conditional formatting to shade alternating rows on the worksheet.

1. Click the Select All button, above the Row 1 button, to select all the cells on the worksheet.
2. Choose Format|Conditional Formatting
3. From the first dropdown, choose Formula Is
4. For the formula, enter =MOD(ROW(),2)
5. Click the Format button.
6. On the Patterns tab, select a colour for shading
7. Click OK, click OK

bodmas blog » Blog Archive » Textwrangler: remove blank lines :: Keith Peter Burnett’s blog about Maths teaching and ILT

bodmas blog » Blog Archive » Textwrangler: remove blank lines :: Keith Peter Burnett’s blog about Maths teaching and ILT: "

Textwrangler: remove blank lines

To remove blank lines from a text file in Textwrangler, you have to run search and replace, tick the ‘use Grep’ option and then search on the pattern ^\r. Replace with nowt and the effect is magic. A boon to the ‘everything in one big text file’ advocates. The pattern < /?[^>]> can be used to [...]

To remove blank lines from a text file in Textwrangler, you have to run search and replace, tick the ‘use Grep’ option and then search on the pattern ^\r. Replace with nowt and the effect is magic. A boon to the ‘everything in one big text file’ advocates.

The pattern < /?[^>]> can be used to remove all the HTML tags from a file (see below). I’d advise replacing the tags with a single space. The pattern should not have a space after the first angle bracket – WordPress and Textile are just playing up with the formatting.

--
bodmas.org, 19 March 2006"

Zen Road

Zen Road: "Going forward is a matter of everyday living.
Progress — going forward — has nothing to do with being smart. It’s an everyday thing. In this passage of the text, “everyday living” means the immediate, fundamental nature of each day…the fundamental truth of our daily lives. Eating, sleeping, talking, going to the toilet, doing gassho (bowing) before and after moving in the dojo: this is the stuff of awakening, of great freedom. No need to be smart.

Our practice of shikantaza (just sitting) has nothing to do with intelligence or its lack, because it has no goal. So there’s no need to learn some special technique. There’s no particular skill, aptitude, talent, competence, or qualification required. There isn’t any hierarchy to advance in. All you need is a zafu (cushion) and some courage. Why courage? Because it’s not easy to come regularly to zazen, especially when you have problems. You have to find the courage to come and sit even when nothing and nobody encourages you to do so.
[Person entering the front door of a dojo with a black zafu (round cushion) in hand.]

Master Deshimaru used to encourage us by saying that if we practiced zazen we would become great leaders. I can’t say that. I would just say that it’s a question of correct effort, the effort to go towards the truth by destroying everything produced in you"

Quote

A mystical experience is not any more unique than a modern experiment in physics. On the other hand, it is not less sophisticated, either. . . . The complexity and efficiency of the physicist’s technical apparatus is matched, if not surpassed, by that of the mystic’s consciousness. . . . A page from a journal of modern experimental physics will be as mysterious to the uninitiated as a Tibetan mandala. Both are records of inquiries into the nature of the universe.

FRITJOF CAPRA

Source: Lifted from Page-A-Day Calendar Email

Images come and images go... move the stuff out. The new year rolls on and becomes just that another year. Conscience and an effort to pay attention to things come to the surface. Burbling below the surface the bubbles rise to the top popping gently at the edge of the pool of the water.

Good Words for a Good Year

I've been giving a great deal of thought to the new year. Cliche but true it's that stupid time of year, resolutions being made and broken. Alas you still try to steer yourself in the right direction avoiding the marketing gimmicks but enjoying the things that some of those marketing types present you. So I share this image from a really cool website, http://www.coolpeoplecare.org/

Another Year More to Fold

So another year has come and gone. What dreams are there to conquer and creative outlets to persue. This year should prove to be an interesting one. Once in awhile you get one of those gut feelings saying this will be X, I believe there are good things in store. Kind of like a calm before a storm and yet there is something there. Goodness lies in everything not that I buy the whole humanity is good line but there lurks in all of us something it is there to discover and that is my mission this year.

Things New and Old

So it's the end of the year. Once again like a broken skipping record the return to Blogger. Why for the love of humanity and all that is good do I dare return here. Kind of going back to a lover that isn't right or being drawn by a tainted cheese. The tainted cheese thing reminds of Burroughs every time, it's the voice and the words together. Seriously though this is the time of year for thoughtful insights and dreams. Think of dreams forgotten and spin new ones with loving tendrils that wrap and caress the synapses to the core. Who knows maybe make some new friends and contact some old ones. The truth is it's time to enjoy things, and be a little more creative about the job, life and everything. Quotes can be enjoyable but right now it's a late night at work and to be honest it's good to be at work late every once in awhile. There is a peacefulness that spreads through the floor. It's quiet and good.

Dragon Fruit

It's a good day when people bring in stuff to eat. Today the palette sampled dragon fruit... mental note visit Olive Street and find some.

Dragon Fruit Viewer - Pine Island Nursery

vampiro_recipe

As the weekend looms in the distance and the knowledge of Monday being a holiday, or día de fiesta. A happy time is a happy time in any language. What a better time than to experiment with a new drink. Making a mental note... give this one a try.

vampiro_recipe:

VAMPIRO

Step 1: Take a salt-rimmed glass and fill with ice.

Then Add:

1oz of Tequila,
2oz of Sangrita Real,
3oz of Grapefruit soda
Add a few drops of lime juice and mix."

Tags: vampiro, tequila, drink

Back Again Naturally

Funny how you come to things over and over again... after reading my friend's blog I thought why not visit blogger see what you can see. I like 360, livejournal and even dare I say myspace but simply put blogger seems to have what one needs when it comes to doing the scribble down the odd thought thing. So there you go. Passing on things this is pretty cool... interactive

Mirror Mask

A production from

The Jim Henson Company
Directed by Dave McKean
Screenplay by Neil Gaiman
Executive Produced by Lisa Henson, Michael R. Polis, Martin G. Baker

Starring

Stephanie Leonidas
Jason Barry
Rob Brydon
Gina McKee

MirrorMask Images

MIRRORMASK is a groundbreaking effort from director Dave McKean with a screenplay by Neil Gaiman. Teaming up with The Jim Henson Company, they combine live action with digital animation in a spectacular concoction that will dazzle audiences across the board.

MIRRORMASK tells the story of Helena (Leonidas), a fifteen-year-old girl working for her family circus, who wishes-quite ironically-that she could run away from the circus and join real life. But such is not to be the case, as she finds herself on a strange journey into the Dark Lands, a fantastic landscape filled with giants, monkeybirds and dangerous sphinxes. On her quest to return home, Helena searches for the Mirrormask, an object of enormous power, which is her only hope of escaping the Dark Lands.

A dark fantasy with elements of THE DARK CRYSTAL and LABYRINTH, MIRRORMASK is a thrilling new chapter in the celebrated careers of Dave McKean and Neil Gaiman. Filled with imagination and unforgettable imagery, and fully realized with the help of CGI, MIRRORMASK is a visual and psychological menagerie of dreamscapes, nightmares and otherworldly creatures.

Director’s statement

“I don’t know where to start, every day was a steep learning experience…

I would say I have learned most about my own strengths and weaknesses. I have a tendency to fall in love with the purity of a formal solution to a problem, and then I just become blind to its possible flaws, and any little changes made feel like they are watering down the idea. I think this caused several difficulties on the film, and I think I'll be conscious of that tunnel vision from now on.

Editing is always a wondrous experience, an alchemical experience. But on this film, working with an editor really for the first time, and noticing his approach, continually 'on the story', was a big lesson. Any block of dialogue in the script longer than three lines looked suspiciously like fat needing to be trimmed. We cut our penultimate edit, which didn't have any scenes or large chunks to shed, down by ten minutes just by trimming frames, and the odd shot. I have no idea where all that fat came from, but it really helped.

I have also learned that you don't start up a new computer-rendering studio during production. The little blighters need at least three months to get to know each other before an animator goes anywhere near them. And finally, I learned that computers are as human as the rest of us. Our technical director named all the machines after different bands. The four Macs in the edit suite were named after the Beatles; fair enough, I was John. But then we needed a fifth so he named it Yoko, and they all stopped talking to each other.”

—Dave McKean




About the Production

Helena’s journey is an incredible story. But how could it be otherwise when its creators are Neil Gaiman, the award-winning author of Sandman, American Gods and Neverwhere, and director/designer and multimedia artist, David McKean. In addition to this potent collaboration, the setting where MirrorMask’s story was first conceived is just as inspiring. As Neil Gaiman tells it: “Dave and I created the story and script for MirrorMask in the Henson family home in London, surrounded by memorabilia and artifacts from Jim Henson’s astonishing career in television and fantasy filmmaking. It was a true challenge and inspiration to try to make something today that would be as visually rich, creative, funny and as moving as Jim Henson’s original works.”

MirrorMask combines live action with digital animation, set in a spectacular computer generated landscape. A “visually rich” and “creative” environment, indeed— and an achievement that is all the more dazzling given the limits imposed by their independent film budget. Working with Producer Simon Moorhead and Executive Producers Martin G. Baker, Lisa Henson and Michael Polis, Gaiman and McKean had to create a production process that mixed new technology, off-the-shelf hardware and just plain unorthodox thinking.

After shooting on location in London and Brighton for two weeks, followed by four weeks in a blue screen studio, the film entered its arduous post-production phase. McKean researched different computer animation studios who could build the world of MirrorMask, but instead chose to form his own team of animators. And so, for just over a year, seventeen animators (many of them recent Computer Animation graduates from Bournemouth University in England) worked at PC stations in a single quiet room in Islington as McKean personally supervised every frame of the film, thus ensuring that his and Gaiman’s original artistic tone would be completely realized.

MirrorMask is a groundbreaking effort to take the stunning authorship and artistry of Gaiman and McKean off the pages of the graphic novel for the first time and put that vision on the screen. The result is a visually and emotionally compelling story that is sweeping and powerful, yet with the intimate, handcrafted feel of an independent film.




ABOUT THE FILMMAKERS

Dave McKean—Director, Designer, Story

Born in Taplow, Berkshire in 1963, Dave McKean attended Berkshire College of Art and Design and upon graduation in 1986 had already begun his professional career as an illustrator. Today, McKean is an internationally known award-winning artist with a prolific career spanning all forms of media.

An accomplished director of short films, McKean’s The Week Before (1998) toured international festivals as did his 2002 film N[EON], First Prize winner at the Clermont-Ferrand Film Festival. MirrorMask marks his debut as a feature film director.

As a writer and illustrator, McKean has been recognized with numerous awards including the Harvey Award for Best New Comic, the International Alph Art Award for Best Graphic Novel and Italy's La Pantera Award, all for the comic novel Cages published from 1990 to1996. His latest collection of short stories in comics form, Pictures That Tick, won Overall First Prize for the National Book Awards in 2002.

He has partnered as a graphic illustrator with such writers as Grant Morrisson (Arkham Asylum, the single most successful graphic novel ever published), SF Said, (Varjak Paw, recipient of the Smarties Gold Award), Stephen King (Wizard & Glass) and most notably, Neil Gaiman.

McKean and Gaiman met in 1986 and their many collaborations over the years have resulted in some of the most acclaimed and beloved literary projects of today. Their first book, Violent Cases (1987), has been printed worldwide and adapted for the stage. Other titles include Black Orchid (1988), Signal To Noise (1990) and Mr. Punch (1995), exhibited at the Victoria & Albert Museum as a National Book Award winner. McKean has also contributed all the cover illustrations and design for the World Fantasy Award-winning Sandman series of graphic novels. A collection of this work, Dust Covers, was published in 1998. More recently McKean and Gaiman released their first children’s books The Day I Swapped My Dad for Two Goldfish and The Wolves in the Walls (NY Times Illustrated Book of the Year).

McKean has produced promotional campaigns for Smirnoff, BMW/Mini, Nike, and Eurostar as well as the films Blade, Alien Resurrection, The King is Alive, Dust and Sleepy Hollow. In 1995, he created the image launching The Sony Playstation and in 1996 was one of four photographers chosen by Kodak to launch their new color film with a book, video and global ad package. His many magazine contributions include illustrations for The New Yorker and Playboy and he has designed, illustrated and photographed over one hundred and fifty album covers since 1990, including recent releases by Tori Amos, Real World, Toad the Wet Sprocket, Bill Laswell, Alice Cooper, Dream Theater, Counting Crows, Front Line Assembly, and Bill Bruford,

McKean recently founded Ferel Records with saxophonist Iain Bellamy. He is currently working on two feature film scripts, three books to tie in with the release of MirrorMask, extensive designs, films and photographs for a Broadway musical and a new children’s book Crazy Hair, again partnering with Neil Gaiman.




Neil Gaiman—Screenplay, Story

For more than 20 years, Neil Gaiman has been one of the world’s most successful, honored and beloved writers in modern comics and has become a best-selling novelist as well. He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers. Like so many of his works, his most recent novel, American Gods, received several awards including the Hugo, Bram Stoker and SFX awards.

His most popular title, the monthly cult DC Comics series, Sandman, was described by the LA Times as "The greatest epic in the history of comic books" and "the best monthly comic book in the world". Sandman received numerous honors including the Will Eisner Comic Industry Awards for Best Writer (1991, 1992, 1993, 1994), Best Continuing Series (1991, 1992, 1993), Best Graphic Album-- reprint (1991), and the Best Graphic Album -- New (1993); and Sandman #19 took the 1991 World Fantasy Award for Best Short Story (the first comic ever to be awarded a literary award). Sandman the comic sold over a million copies a year and collections of the comic have sold several million copies as well, remaining in print to this day. After ending the original Sandman story, the return to the world of Sandman in 2003 with Sandman: Endless Nights was an international event. The book went straight onto the New York Times bestseller list (the first graphic novel by a comics publisher to do so) and won Gaiman two more Eisner Awards, for Best Collection and Best Story (“Death and Venice”). The covers of this wildly popular comic are among the many successful ventures with illustrator Dave McKean.

Other books from Gaiman and McKean include Violent Cases (1987), a meditation on memory, evil, and kids' birthday parties and winner of the Eagle Award as Best Graphic Novel (1988) and Coraline (2002), an international bestseller, a New York Times Bestseller and winner of the Hugo, the Nebula, the Elizabeth Burr/Worzalla Award, the BSFA award, and the Bram Stoker award. Their first book for children, The Day I Swapped My Dad For Two Goldfish (1997, reissued in 2004) was listed by Newsweek as one of the Best Children's Books. Among many other collaborations are Mr. Punch (a dark tale of childhood and puppets), Signal to Noise (a graphic novella series about a dying film director) and the children’s picture book, The Wolves in the Walls, which Gaiman is currently working to adapt as a theatrical production.

Gaiman’s notable television work includes the fantastical BBC TV series Neverwhere, based on his best-selling novel. He also wrote an episode for the final season of the cult show Babylon 5, “The Day of the Dead”, the only episode in the last three seasons not to have been written by the show's creator, J. Michael Straczynski.

In 2002 Gaiman wrote and directed his first film, A Short Film About John Bolton, a dark funny film currently scheduled for upcoming release on DVD. Many of Gaiman’s literary works are also in development or production as feature films. Among them, Warner Brothers has optioned Sandman and the three-part series Death; The High Cost of Living; Coraline is being put into production by Will Vinton Studios; and The Jim Henson Company is developing Neverwhere with Gaiman as the film’s writer.




Lisa Henson—Executive Producer

Lisa Henson is Co-Chief Executive Officer of The Jim Henson Company where she, along with her brother Brian, is responsible for the Company’s strategic and creative direction. Henson oversees all television and feature film production for the Company from early development through post-production.

Current feature films include Five Children and It and the fantasy feature MirrorMasK. She also recently produced Good Boy!, the live-action family film released by MGM. Current television projects in production include Muppets’ Wizard of Oz and the animated series Frances. Henson is presently developing Neil Gaiman’s Neverwhere, House of the Scorpion by Nancy Farmer and Astroboy, the successful Japanese franchise.

Prior to her current position, Henson, in partnership with producer Janet Yang, executive produced High Crimes, ivansxtc, and The Weight of Water and also produced Zero Effect. In her previous post as President of Columbia Pictures, she was in charge of all creative business affairs, administrative and production-related matters and responsible for a string of critical and commercial successes including Bad Boys, Men in Black, Fly Away Home, and the critically acclaimed, Academy Award®-winning Sense and Sensibility. Prior to joining Columbia Pictures, Ms. Henson served ten years as a Production Executive at Warner Bros., working on such blockbusters as Lethal Weapon, Batman and Batman Returns.

Michael R. Polis—Executive Producer

Michael R. Polis is Senior Vice President of Marketing and Home Entertainment Worldwide for The Jim Henson Company as well as Executive Producer on MirrorMask. Other Executive Producer credits include Bear in the Big Blue House Live! and the Emmy®-nominated Kermit’s Swamp Years. In addition to producing projects for the Company, he oversees all aspects of brand marketing, licensing and home entertainment and leads strategic initiatives for fantasy and science fiction brands such as the award-winning Farscape and the world-renowned fantasy films Labyrinth and The Dark Crystal. Mr. Polis also oversees Jim Henson Family Showcase properties including Frances and Fraggle Rock through a partnership with HIT Entertainment.

Prior to his current position, Mr. Polis was Executive Director of Marketing for Universal Studios Home Entertainment responsible for marketing such films as Babe, The Lost World: Jurassic Park, E.T. The Extraterrestrial and The Land Before Time series.




Martin G. Baker—Executive Producer

Martin G. Baker began his prolific career with JHC in 1979 and during his 20-year tenure worked on the feature film classics that inspired MirrorMask - The Dark Crystal, and Labyrinth, notably his first project as an associate producer. Since then, he has gone on to produce such features as The Muppet Christmas Carol, Muppet Treasure Island and Muppets From Space as well as executive producing The Adventures of Elmo in Grouchland. Mr. Baker’s long list of television producing credits include the award-winning Farscape, It's A Very Merry Muppet Christmas Movie, Jim Henson's Jack and the Beanstalk: The Real Story, Fraggle Rock, Jim Henson's The Storyteller, The Jim Henson Hour and Muppets Tonight. He is currently in production on Muppet Wizard of Oz shooting in Vancouver.

Simon Moorhead—Producer

Simon Moorhead has enjoyed a varied career working across a variety of production disciplines in both film & television. During this time he has been involved with many award-winning productions, including: A Distant Drummer, Widow Maker, Birds of a Feather, Jigsaw, Life and Loves of a She-Devil, Threads and the prophetic ITV mini-series Chimera.

Simon has produced, directed and written shows for the BBC, ITV1, Channel 4, National Geographic, Virgin Records, Kodak, Satchi & Satchi, Eurotunnel, Norwich Union, BT and Disco Volanti.

Throughout the last eight years Simon has produced Dave McKean’s films and videos, including the award winning N[EON]. MirrorMask marks his first full-length feature film as a producer.

The Jim Henson Company

The Jim Henson Company, an established leader in family entertainment for half a century, is recognized worldwide as a leader in puppetry, animatronics and computer graphics. Best known as creators of the world famous Muppets (the rights to which are now owned by The Walt Disney Company), Henson is the recipient of nearly 50 Emmy Awards and nine Grammy Awards. Additionally, Jim Henson’s Creature Shop™ has received two Academy Awards for the visual effects and animatronic builds for the 1996 smash BABE, and the invention of the Henson Performance Control System—a powerful, custom-built puppeteering mechanism. Recent projects include the Emmy nominated FARSCAPE, the family film GOOD BOY! and the features Five Children and It and MirrorMask. The company is currently in post- production on the preschool series Frances and the television movie The Muppets’ Wizard of Oz. Headquartered in Los Angeles with offices and production facilities in New York and London, The Jim Henson Company has a website located at: www.henson.com




ABOUT THE CAST

STEPHANIE LEONIDAS—Helena

In MirrorMask, the new film from The Jim Henson Company, Stephanie Leonidas portrays Helena, a fifteen-year-old girl working for her family circus, who wishes – quite ironically – that she could run away and join real life.

Leonidas most recently appeared in YES from Adventure Pictures and Fogbound for Mulholland Pictures, which will come out June 24, 2005 from Sony Pictures Classics. She has appeared in many of the UK’s most popular TV series including Rose and Maloney (Katie), Beneath the Skin (Zoe), Wall of Silence (Tracy) and Night and Day (Della). Her theater credits include The Sugar Syndrome and she can next be seen in the upcoming feature film Feast of the Goat from Future Films.

GINA McKEE—Joanne / Queen of Light / Queen of Shadows

Gina McKee takes on three roles in Mirrormask, the new feature film from The Jim Henson Company. Playing Joanna, the heroine's mother who becomes suddenly ill, she also plays both of the opposing queens in the film's fantasy world.

In addition to her roles in Roger Michell's Notting Hill and Michael Winterbottom's Wonderland, Mckee's extensive film credits include The Croupier, There's Only One Jimmy Grimble, Women Talking Dirty, The Divine Secrets of The Ya Ya Sisterhood, The Loss of Sexual Innocence and Naked.

Mckee received a Best Actress BAFTA for her role as Mary in the BBC television production of Our Friends in the North. She was also nominated for a BAFTA for her work in the BBC's The Lost Prince (Lalla). Other television credits include The Forsyte Saga (Irene), The Blackwater Lightship (Helen), Mothertime (Caroline) and soon to be screened in the UK, The Baby War.

JASON BARRY—Valentine

Jason Barry plays Valentine, Helena’s unreliable companion through the fantasy world of MIRRORMASK, the new feature film from The Jim Henson Company.

Barry’s recent film credits include Conspiracy of Silence and Kaos as well as When the Sky Falls for 20th Century Fox, Noose with director Ted Demme, Titanic with director James Cameron and Circle of Friends directed by Pat O’Connor.

On television, Barry has recently completed filming ITV’s The Baby War. He has also been seen in Granada’s Metropolis as well as Whiskey Echo, Absolute Power, Servants, Man & Boyall for the BBC.

Notable stage work includes The Plough and the Stars, A Midsummer Night’s Dream, Love’s Labours Lost and Beowulf.




STARRING

(in alphabetical order)

Valentine JASON BARRY

Morris Campbell / Prime Minister ROB BRYDON

Helena / Anti-Helena STEPHANIE LEONIDAS

Joanne / Queen of Light / Queen of Shadows GINA MCKEE

EXECUTIVE PRODUCERS: Lisa Henson, Michael Polis, Martin G. Baker

PRODUCED BY: Simon Moorhead

DESIGNED & DIRECTED BY: Dave McKean

SCREENPLAY BY: Neil Gaiman

STORY BY: Neil Gaiman & Dave McKean

MUSIC BY: Iain Ballamy

DIRECTOR OF PHOTOGRAPHY: Antony Shearn

EDITOR: Nicolas Gaster

Yahoo 360

Been playing with Yahoo 360 as of late. We shall see... that is all... we shall see.

Nothing much

I don't why but the last two items seemed worthy of a posting. Both are from Cook's Illustrated and since the summer is winding down I plan on trying both of them soon. So, there you go.

Recipe: Peach Salsa

The terms 'salsa,' and 'relish' can be used interchangeably, though salsas are usually made with Latin ingredients or flavors. Here's a quick, short, no-cook peach salsa from the book The Cook's Illustrated Guide to Grilling and Barbecue; the salsa is great served with grilled pork or lamb.

Peach Salsa
Nectarines can be substituted for the peaches.
Makes about 2 1/2 cups

2 ripe but still firm peaches, pitted and chopped coarse
1 small red bell pepper, cored, seeded, and diced
1 small red onion, diced
6 tablespoons juice from 6 limes
1/4 cup chopped fresh parsley leaves
1/4 cup pineapple juice
1 jalapeño chile, seeds and ribs removed, then minced
1 medium garlic clove, minced or pressed through garlic press (about 1 teaspoon)
Salt

Mix all of the ingredients, including salt to taste, together in a medium bowl. Cover the salsa and refrigerate to blend the flavors at least 1 hour or up to 4 days.

Microwave Iced Tea

Microwave Iced Tea

Written: 7/1999
Depending on the quality of your tap water, you may want to use bottled spring water to make both the tea itself and your ice cubes. Doubling this recipe is easy, but use a large saucepan and expect the water to take a few minutes longer to reach the proper temperature. For a slightly stronger iced tea, reduce the amount of ice to 3 cups. Garnish with a thin lemon wedge to squeeze into the tea, if you like. Using a 2-quart Pyrex measuring cup makes this tea a one-pot drink from brewing to pouring. Exact heating time will depend on the power of your microwave and the starting temperature of the water.

Makes 1 1/2 quarts, serving 4 to 6
5 tea bags of your choice
1 quart spring water (see note)
1 - 6 tablespoons granulated sugar or natural cane sugar (depending on desired sweetness)
1 quart ice cubes (see note), plus additional cubes for glasses

To make it even easier to have a quick glass of iced tea, keep ice-filled glasses in the door of the freezer.

Heat tea bags and water in 2-quart Pyrex measuring cup or other large microwave-safe bowl covered with microwave-safe dinner plate, on high power until dark colored, very steamy, and water starts to move but not boil (an instant-read thermometer will register about 190 degrees), 8 to 10 minutes. Remove from microwave and steep 3 minutes (no longer or the tea may become bitter). Remove plate; remove and discard tea bags. Stir in sugar, if using, until dissolved; stir in ice until melted. Serve in ice-filled glasses.

Gettingit.com: Dressing Up Dick

Gettingit.com: Dressing Up Dick: "The Japanese art of Kokigami". A the concept of wrapping your rascal in paper is just too beautiful. There are a bunch of books on this but to find a site that includes free samples. Well that does perk up one's day or something else perhaps. Back to work...

Orikaso Flatworld Orikaso Dish

Image: Orikaso Flatworld Orikaso Dish What a great device, origami and camping/picnic stuff combined. Way cool. Thank you Cool Tools.